An absolutely crazy shooting schedule. Great fun but insane days that were 16-18 hours door to door. I had everyt intention of shooting daily gearbox episodes but the body disagreed and we couldn't fit them into the shooting schedule.
This episode was shot once it was dark and when we shot the interviews nobody spoke directly to camera so the lighting was a bit different. We also were shooting with two cameras so one (A) was a bit wider and the other (B) was in very tight.
The FS700 held up well but is a bit quirky. High speed is great. I'll talk more about it in future episodes.
I do feel that bothe the FS700 and C300 have their place and if high speed isn't a requirement (which it was for this project), then the C100 is probably a camera worth considering.
Oh, and BTW... The 5DMKIII held up very well. It has it's own look but it's low light performance is stellar. Seems to me that there is less noise than the FS700 at 5000 ISO. Sure, a bit softer, maybe a lot softer. But, I like the image it produces (I just wish it has a couple extra stops of latitude in the there for highlights).